Running With The Pack

Running With The PackRunning with the Pack is here! I received my contributor copy a few days ago and was immediately impressed with the weight of the thing. There’s nothing like the feel of a good, hefty book in your hand. 339 pages and then some, including stories by some of my favourite authors. And me!

Over there on the Livejournal community Bookish there is the first (that I’ve seen) review of Running With the Pack. The blogger had good things to say about my story Inside Out:

This story tells about a werewolf named Gretchen, who lives with her two sisters. Gretchen despises her werewolf nature, and the limits it puts on her and her family’s lives. This all changes when one full moon, she finds a woman locked in a cage. This tale of sisterhood really drew me in from the start, and I liked how well developed all three women were. I also enjoyed the concept of sort of a reverse werewolf that was introduced here.

I’m very pleased with both the review of my story, and with the overall review of the book. Ekaterina Sedia is a fine editor and an incredible storyteller herself, so there a promise that the stories inside will be worth every minute one spends reading them.

Over on Jennifer Jackson‘s blog I’ve found Publishers Weekly review of Running with the Pack:

“Sedia (Paper Cities) collects 22 tales that look at werewolves from a multitude of different angles. Steve Duffy’s chilling dental thriller “Side-Effects May Include” examines how far a man will go to end his pain. A damaged alpha gains the trust of a homeless woman in Maria V. Snyder’s “Mongrel.” Murderous soccer moms eat cheaters in Samantha Henderson’s “Skin in the Game.” A woman accidentally turned wolf struggles against her dual nature before learning to accept it in Erzebet YellowBoy’s powerful “Inside Out.” The origin of T.J. from Carrie Vaughn’s Kitty Norville series is told in “Wild Ride,” and Mike Resnick’s preacher/con-artist Lucifer Jones makes an appearance in the hilarious “Royal Bloodlines.” The stories veer from comedy to horror and from tragic love story to coming-of-age tale, showing the richness inherent in the idea of shifting shapes and animal strength. –Publishers Weekly, Starred Review


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